前身是皇軍(👷)軍港的吳港,戰後成為(wéi )船塢工(gōng )人的生活煉獄(🛍)。在資本(🤴)家(🍥)剝削和枯(kū )燥生活的雙重煎熬下(🗼),躁動的年輕(qīng )生(🌫)命,一(yī )(🎲)頭(tóu )栽(❣)進暴力漩(📼)渦,延擱(gē )(⚫)成(🐿)長,終日在打鬥、賭博(bó )、酗酒中尋(🔲)找暫時的麻醉。吉田喜重通過工(😚)頭之眼,對(duì )(🚸)不合理的社會(🤯)現實作出欲迎還(🚢)拒(🌙)的(de )批(pī )判,被(🥁)視為日(rì )(🚨)本新浪潮(cháo )代(dài )表作之(zhī )(🦗)一。香山美(🥎)子飾演純真的(de )酒館女待,同情(qíng )(🌞)工人(rén )(㊙)卻(què )慘(cǎn )被強姦(jiān )(⛓),正(⏰)與(yǔ )負的能量,在(zài )大時代中比(bǐ )拼互(💠)滲,可有(yǒu )超越(yuè )對(🕐)與錯,是(🧣)與非的位置?片末火車站送(sòng )別一(🥊)場,在家和社會之間,吉(🏻)田喜重作出(👪)了左翼的選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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